• CRIT #35

    This is  CRIT number 34 at CASTRO. Participation is open to all and admission is free* A CRIT is a meeting in which artists present their work, “offering it” to a collective criticism. During the CRIT, the public is invited to observe and understand the work that is presented. The artist briefly introduces their work or …

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  • CRIT #34

    This is  CRIT number 34 at CASTRO. Participation is open to all and admission is free* A CRIT is a meeting in which artists present their work, “offering it” to a collective criticism. During the CRIT, the public is invited to observe and understand the work that is presented. The artist briefly introduces their work or …

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  • THE CONTEMPORARY ART SYSTEM

    The seminar is structured in two parts and it follow a dialogical approach, delving into the dynamics and relationships that influence the development of the Contemporary Art System, from the perspective of a gallery owner 6 February | 6 pm – 8 pm | The first session delves into the cultural and entrepreneurial dimensions of …

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  • HOW TO…?

    The set of practical How To..? workshops offers essential tools for young artists and researchers. The workshops, as all Academia Program activities, can be declined in the context of specific collaborations, such as the one with the Academy of Fine Arts in Rome, Ripetta. Write us an email at castro.academiaprogram@gmail.com for further information and bookings. PRACTICAL INFO …

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  • CRIT #33

    This is  CRIT number 33 at CASTRO. Participation is open to all and admission is free* A CRIT is a meeting in which artists present their work, “offering it” to a collective criticism. During the CRIT, the public is invited to observe and understand the work that is presented. The artist briefly introduces their work …

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  • Job Offer: Programs Assistant

    Title: Programs Assistant Summary: We’re looking for a freelance individual based in Rome to assist the production and delivery of CASTRO’s Programs during 2024. This is an exciting time to join us as we embark on a number of new projects. Duration: January to July 2024; extendable Hours: 20 weekly hours, flexible schedule to be …

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  • ANTOINE SIMEÃO SCHALK

    Antoine Simeão Schalk is a Swiss-Brazilian curator based in Berlin, working within the intersection of visual and sonic practices. A MA graduate in fine arts from the Geneva University of the Arts HEAD-Genève, he has been interested in the materialization of theory through bodily practices. Simeão Schalk has worked as performance curator for FdS – …

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  • ANAIS HORN

    Anaïs Horn’s practice creates intimate, often site-specific settings in which highly personal narratives—may they be autobiographical, explore female coming-of-age and rites of passage or reflect on the biographies of historical (female) figures—evolve into general reflections on contemporary life and how memories and (her)story/stories reverberate in objects and spaces. Her work intertwines photography, moving images and …

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  • AYSE IDIL IDIL

    Ayşe İdil İdil is an artist based in Istanbul. She received her BFA from the School of the Art Institute of Chicago. In her practice she looks at the possibility of intimacy in human-object-nature relationships, how memories are constructed and preserved, and how translatable thoughts and feelings are. Her first solo show An absent door, always …

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  • OHII KATYA

    Ohii Katya is a Ukrainian multidisciplinary artist born in 1993 in the periphery of Kharkiv city. Being an engineer and 3D character animator in the past she decided to begin an art career at the end of 2019 after moving from Kyiv to Rome, where she lives and works now.   Taking the form of …

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