{"id":12541,"date":"2022-06-21T18:01:00","date_gmt":"2022-06-21T16:01:00","guid":{"rendered":"https:\/\/castroprojects.it\/selection-panel-7\/"},"modified":"2024-07-19T16:49:20","modified_gmt":"2024-07-19T14:49:20","slug":"selection-panel-7","status":"publish","type":"post","link":"https:\/\/castroprojects.it\/en\/selection-panel-7\/","title":{"rendered":"SELECTION PANEL #7"},"content":{"rendered":"\t\t<div data-elementor-type=\"wp-post\" data-elementor-id=\"12541\" class=\"elementor elementor-12541 elementor-12439\" data-elementor-post-type=\"post\">\n\t\t\t\t<div class=\"elementor-element elementor-element-ae8ff7a e-flex e-con-boxed qodef-elementor-content-no e-con e-parent\" data-id=\"ae8ff7a\" data-element_type=\"container\" data-core-v316-plus=\"true\">\n\t\t\t\t\t<div class=\"e-con-inner\">\n\t\t\t\t<div class=\"elementor-element elementor-element-6e13b07 elementor-widget elementor-widget-heading\" data-id=\"6e13b07\" data-element_type=\"widget\" data-widget_type=\"heading.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t<style>\/*! elementor - v3.20.0 - 26-03-2024 *\/\n.elementor-heading-title{padding:0;margin:0;line-height:1}.elementor-widget-heading .elementor-heading-title[class*=elementor-size-]>a{color:inherit;font-size:inherit;line-height:inherit}.elementor-widget-heading .elementor-heading-title.elementor-size-small{font-size:15px}.elementor-widget-heading .elementor-heading-title.elementor-size-medium{font-size:19px}.elementor-widget-heading .elementor-heading-title.elementor-size-large{font-size:29px}.elementor-widget-heading .elementor-heading-title.elementor-size-xl{font-size:39px}.elementor-widget-heading .elementor-heading-title.elementor-size-xxl{font-size:59px}<\/style><h2 class=\"elementor-heading-title elementor-size-default\">Selection Panel #7<\/h2>\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t<div class=\"elementor-element elementor-element-1231e0a e-flex e-con-boxed qodef-elementor-content-no e-con e-parent\" data-id=\"1231e0a\" data-element_type=\"container\" data-core-v316-plus=\"true\">\n\t\t\t\t\t<div class=\"e-con-inner\">\n\t\t\t\t<div class=\"elementor-element elementor-element-18d95c4 elementor-widget elementor-widget-qi_addons_for_elementor_accordion\" data-id=\"18d95c4\" data-element_type=\"widget\" data-widget_type=\"qi_addons_for_elementor_accordion.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t<div class=\"qodef-shortcode qodef-m  qodef-qi-accordion qodef-qi-clear qodef-behavior--accordion qodef-layout--simple qodef-style--border-between qodef-height--content\">\n\t<p class=\"qodef-e-title-holder\">\n\t<span class=\"qodef-e-title\">Sophie Jung<\/span>\n\t<span class=\"qodef-e-mark\">\n\t\t<span class=\"qodef-icon--plus\">\n\t\t\t\t<span class=\"qodef-e-icon\">\n\t\t<svg aria-hidden=\"true\" class=\"e-font-icon-svg e-fas-plus\" viewBox=\"0 0 448 512\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\"><path d=\"M416 208H272V64c0-17.67-14.33-32-32-32h-32c-17.67 0-32 14.33-32 32v144H32c-17.67 0-32 14.33-32 32v32c0 17.67 14.33 32 32 32h144v144c0 17.67 14.33 32 32 32h32c17.67 0 32-14.33 32-32V304h144c17.67 0 32-14.33 32-32v-32c0-17.67-14.33-32-32-32z\"><\/path><\/svg>\t<\/span>\n\t\t\t<\/span>\n\t\t<span class=\"qodef-icon--minus\">\n\t\t\t\t<span class=\"qodef-e-icon\">\n\t\t<svg aria-hidden=\"true\" class=\"e-font-icon-svg e-fas-minus\" viewBox=\"0 0 448 512\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\"><path d=\"M416 208H32c-17.67 0-32 14.33-32 32v32c0 17.67 14.33 32 32 32h384c17.67 0 32-14.33 32-32v-32c0-17.67-14.33-32-32-32z\"><\/path><\/svg>\t<\/span>\n\t\t\t<\/span>\n\t<\/span>\n<\/p>\n<div class=\"qodef-e-content\">\n\t<div class=\"qodef-e-content-inner\">\n\t\t<span style=\"font-weight: 400\"><strong><img fetchpriority=\"high\" decoding=\"async\" class=\"alignnone size-medium wp-image-12422\" src=\"https:\/\/castroprojects.it\/wp-content\/uploads\/2024\/04\/Sophie_Jung_portrait-300x300.jpg\" alt=\"\" width=\"300\" height=\"300\" srcset=\"https:\/\/castroprojects.it\/wp-content\/uploads\/2024\/04\/Sophie_Jung_portrait-300x300.jpg 300w, https:\/\/castroprojects.it\/wp-content\/uploads\/2024\/04\/Sophie_Jung_portrait-1024x1024.jpg 1024w, https:\/\/castroprojects.it\/wp-content\/uploads\/2024\/04\/Sophie_Jung_portrait-150x150.jpg 150w, https:\/\/castroprojects.it\/wp-content\/uploads\/2024\/04\/Sophie_Jung_portrait-768x768.jpg 768w, https:\/\/castroprojects.it\/wp-content\/uploads\/2024\/04\/Sophie_Jung_portrait-1536x1536.jpg 1536w, https:\/\/castroprojects.it\/wp-content\/uploads\/2024\/04\/Sophie_Jung_portrait-650x650.jpg 650w, https:\/\/castroprojects.it\/wp-content\/uploads\/2024\/04\/Sophie_Jung_portrait-1300x1300.jpg 1300w, https:\/\/castroprojects.it\/wp-content\/uploads\/2024\/04\/Sophie_Jung_portrait.jpg 1772w\" sizes=\"(max-width: 300px) 100vw, 300px\" \/><br \/>Sophie Jung<\/strong> (living in London and Basel) works across text, sculpture, and performance, navigating the politics of re\/presentation and problematizing the selective silencing that occurs with conclusions. She employs humor, shame, absurdity, raw anger, rhythm and rhyme, slapstick, difficulties, friendship, and a constant flow of shifts. Her sculptural work consists of bodies made up of found and randomly produced attributes, presenting as a network of constant incompleteness, a continuously evolving chorus of urgencies and pleasures, traumas and manifestations that alternate between dominant and minor themes. Jung aspires to impious alliances, intermaterial solidarity, and assemblages that defy resolution. Her approach to \u201cthings\u201d\u2014both readable tools and metaphorical apparitions\u2014sits halfway between materialist responsibility and wild becoming. Her writing falls within the tradition of \u00e9criture f\u00e9minine and exists as a polyvocal collage, often materialized and extended in collaboration. Her recent solo exhibitions include Sanetroyem at E. A. Shared Space in Tbilisi, Unsetting at the Istituto Svizzero in Milan, Sincerity Condition at Casino Luxembourg, Taxpayer\u2019s Money for Frieze LIVE, Dramatis Personae at JOAN in Los Angeles, The Bigger Sleep at Kunstmuseum Basel, Come Fresh Hell or Fresh High Water at Blain Southern in London, and Producing My Credentials at Kunstraum in London. She is currently working on her first monograph with Mousse Publishing. In 2016 and 2019, she won the Swiss Art Awards, and in 2018, she received the Manor Kunstpreis. She serves on the board of Kunsthalle Basel, mentors externally at Institut Kunst in Basel, and holds a teaching assignment in performance at Kunstakademie Karlsruhe.<\/span><strong><br \/><\/strong><\/span>\t<\/div>\n<\/div>\n<p class=\"qodef-e-title-holder\">\n\t<span class=\"qodef-e-title\">Francesca Pionati<\/span>\n\t<span class=\"qodef-e-mark\">\n\t\t<span class=\"qodef-icon--plus\">\n\t\t\t\t<span class=\"qodef-e-icon\">\n\t\t<svg aria-hidden=\"true\" class=\"e-font-icon-svg e-fas-plus\" viewBox=\"0 0 448 512\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\"><path d=\"M416 208H272V64c0-17.67-14.33-32-32-32h-32c-17.67 0-32 14.33-32 32v144H32c-17.67 0-32 14.33-32 32v32c0 17.67 14.33 32 32 32h144v144c0 17.67 14.33 32 32 32h32c17.67 0 32-14.33 32-32V304h144c17.67 0 32-14.33 32-32v-32c0-17.67-14.33-32-32-32z\"><\/path><\/svg>\t<\/span>\n\t\t\t<\/span>\n\t\t<span class=\"qodef-icon--minus\">\n\t\t\t\t<span class=\"qodef-e-icon\">\n\t\t<svg aria-hidden=\"true\" class=\"e-font-icon-svg e-fas-minus\" viewBox=\"0 0 448 512\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\"><path d=\"M416 208H32c-17.67 0-32 14.33-32 32v32c0 17.67 14.33 32 32 32h384c17.67 0 32-14.33 32-32v-32c0-17.67-14.33-32-32-32z\"><\/path><\/svg>\t<\/span>\n\t\t\t<\/span>\n\t<\/span>\n<\/p>\n<div class=\"qodef-e-content\">\n\t<div class=\"qodef-e-content-inner\">\n\t\t<strong><img decoding=\"async\" class=\"alignnone size-medium wp-image-12427\" src=\"https:\/\/castroprojects.it\/wp-content\/uploads\/2024\/04\/PIC-300x300.png\" alt=\"\" width=\"300\" height=\"300\" srcset=\"https:\/\/castroprojects.it\/wp-content\/uploads\/2024\/04\/PIC-300x300.png 300w, https:\/\/castroprojects.it\/wp-content\/uploads\/2024\/04\/PIC-1024x1024.png 1024w, https:\/\/castroprojects.it\/wp-content\/uploads\/2024\/04\/PIC-150x150.png 150w, https:\/\/castroprojects.it\/wp-content\/uploads\/2024\/04\/PIC-768x768.png 768w, https:\/\/castroprojects.it\/wp-content\/uploads\/2024\/04\/PIC-1536x1536.png 1536w, https:\/\/castroprojects.it\/wp-content\/uploads\/2024\/04\/PIC-2048x2048.png 2048w, https:\/\/castroprojects.it\/wp-content\/uploads\/2024\/04\/PIC-650x650.png 650w, https:\/\/castroprojects.it\/wp-content\/uploads\/2024\/04\/PIC-1300x1300.png 1300w\" sizes=\"(max-width: 300px) 100vw, 300px\" \/><\/strong><span style=\"color: var( --e-global-color-text )\"><strong><br \/>Francesca Pionati <\/strong>is an artist who gathers meanings and images from the past to re-signify them through processual and collective practices. She is interested in examining the tensions between \u201con &amp; off stage\u201d through moving images, experimental theater, performance, and editorial work. Since 2020, she has been part of the artist duo VEGA with Tommaso Arnaldi. In 2021, Pionati co-founded the curatorial and research platform Iniziative di II, to explore the relationship between performativity and public space. From this experience, the periodic publication II Magazine was born. The editorial project explores the existing codes and methodologies within publishing and its dialectical relationship with archiving, as well as the correlations with less visible or permanent forms of expression and dissemination. In 2022, Francesca joined the Dutch Art Institute, a nomadic program positioned between artistic practice and theoretical research, aimed at expanding pedagogical methodologies and temporary communities. Pionati\u2019s research has been exhibited at MACRO \u2013 Museum of Contemporary Art of Rome, MA*GA Museum, Triennale Milano, Galleria d\u2019Arte Moderna in Rome, Manifattura Tabacchi, Fondazione smART, Sant\u2019Andrea de Scaphis, and MEGA. She has participated in residency programs such as La Quarta Parete by Romeo Castellucci at the Triennale Milano, Prender-si Cura at MATTATOIO, VISIO by Lo Schermo dell\u2019Arte, and FONDAMENTA at Teatro India. In 2022, she won the Francesco Fabbri Prize for Contemporary Arts and the National Visual Arts Prize of the City of Gallarate.<\/span>\t<\/div>\n<\/div>\n<p class=\"qodef-e-title-holder\">\n\t<span class=\"qodef-e-title\">Ahmet Ogut<\/span>\n\t<span class=\"qodef-e-mark\">\n\t\t<span class=\"qodef-icon--plus\">\n\t\t\t\t<span class=\"qodef-e-icon\">\n\t\t<svg aria-hidden=\"true\" class=\"e-font-icon-svg e-fas-plus\" viewBox=\"0 0 448 512\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\"><path d=\"M416 208H272V64c0-17.67-14.33-32-32-32h-32c-17.67 0-32 14.33-32 32v144H32c-17.67 0-32 14.33-32 32v32c0 17.67 14.33 32 32 32h144v144c0 17.67 14.33 32 32 32h32c17.67 0 32-14.33 32-32V304h144c17.67 0 32-14.33 32-32v-32c0-17.67-14.33-32-32-32z\"><\/path><\/svg>\t<\/span>\n\t\t\t<\/span>\n\t\t<span class=\"qodef-icon--minus\">\n\t\t\t\t<span class=\"qodef-e-icon\">\n\t\t<svg aria-hidden=\"true\" class=\"e-font-icon-svg e-fas-minus\" viewBox=\"0 0 448 512\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\"><path d=\"M416 208H32c-17.67 0-32 14.33-32 32v32c0 17.67 14.33 32 32 32h384c17.67 0 32-14.33 32-32v-32c0-17.67-14.33-32-32-32z\"><\/path><\/svg>\t<\/span>\n\t\t\t<\/span>\n\t<\/span>\n<\/p>\n<div class=\"qodef-e-content\">\n\t<div class=\"qodef-e-content-inner\">\n\t\tBorn in Diyarbakir,<strong> Ahmet Ogut<\/strong> currently lives in Berlin, Amsterdam, and Istanbul. He obtained a degree from the Faculty of Fine Arts at Hacettepe University in Ankara in 2003 and a master\u2019s degree from the Faculty of Art and Design at Yildiz Technical University in Istanbul in 2006. He works with a wide range of media, including video, photography, installations, drawing, and print. He is the initiator of \u201cThe Silent University,\u201d a program for and with asylum seekers, refugees, and migrants to hold and attend courses. Ahmet \u00d6\u011f\u00fct was a guest artist at the Rijksakademie van Beeldende Kunsten in Amsterdam in 2007-2008. In 2009, \u00d6\u011f\u00fct represented Turkey with Banu Cenneto\u011flu at the 53rd Venice Biennale. He has recently exhibited in solo shows at MoCA Skopje, Kunstverein Dresden, Van Abbemuseum, and Chisenhale Gallery. Selected group exhibitions include the 17th Istanbul Biennial, the 7th Liverpool Biennial, the 12th Istanbul Biennial, the 4th Moscow Biennale, Performa 09 in New York, and the 5th Berlin Biennale.\t<\/div>\n<\/div>\n<p class=\"qodef-e-title-holder\">\n\t<span class=\"qodef-e-title\">Liliana Moro<\/span>\n\t<span class=\"qodef-e-mark\">\n\t\t<span class=\"qodef-icon--plus\">\n\t\t\t\t<span class=\"qodef-e-icon\">\n\t\t<svg aria-hidden=\"true\" class=\"e-font-icon-svg e-fas-plus\" viewBox=\"0 0 448 512\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\"><path d=\"M416 208H272V64c0-17.67-14.33-32-32-32h-32c-17.67 0-32 14.33-32 32v144H32c-17.67 0-32 14.33-32 32v32c0 17.67 14.33 32 32 32h144v144c0 17.67 14.33 32 32 32h32c17.67 0 32-14.33 32-32V304h144c17.67 0 32-14.33 32-32v-32c0-17.67-14.33-32-32-32z\"><\/path><\/svg>\t<\/span>\n\t\t\t<\/span>\n\t\t<span class=\"qodef-icon--minus\">\n\t\t\t\t<span class=\"qodef-e-icon\">\n\t\t<svg aria-hidden=\"true\" class=\"e-font-icon-svg e-fas-minus\" viewBox=\"0 0 448 512\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\"><path d=\"M416 208H32c-17.67 0-32 14.33-32 32v32c0 17.67 14.33 32 32 32h384c17.67 0 32-14.33 32-32v-32c0-17.67-14.33-32-32-32z\"><\/path><\/svg>\t<\/span>\n\t\t\t<\/span>\n\t<\/span>\n<\/p>\n<div class=\"qodef-e-content\">\n\t<div class=\"qodef-e-content-inner\">\n\t\t<span style=\"font-weight: 400\"><strong><img decoding=\"async\" class=\"alignnone size-medium wp-image-12424\" src=\"https:\/\/castroprojects.it\/wp-content\/uploads\/2024\/04\/LILIANA-MORO-300x300.jpeg\" alt=\"\" width=\"300\" height=\"300\" srcset=\"https:\/\/castroprojects.it\/wp-content\/uploads\/2024\/04\/LILIANA-MORO-300x300.jpeg 300w, https:\/\/castroprojects.it\/wp-content\/uploads\/2024\/04\/LILIANA-MORO-150x150.jpeg 150w, https:\/\/castroprojects.it\/wp-content\/uploads\/2024\/04\/LILIANA-MORO.jpeg 603w\" sizes=\"(max-width: 300px) 100vw, 300px\" \/><br \/>Liliana Moro <\/strong>vLiliana Moro lives and works in Milan. She graduated from the Brera Academy of Fine Arts, where she studied with Luciano Fabro. In 1989, together with other artists, she founded an artist space on Via Lazzaro Palazzi in Milan, which was active until 1993. Encountering Liliana Moro\u2019s works, one perceives that only the bare essentials are present. Sounds, words, sculptures, objects, and performances compose a world that \u201cstages\u201d a reality that is both raw and poetic. A prominent element in Liliana Moro\u2019s research is the political dimension, not translated into the illustration of content, but connected to the forms with which she addresses the audience; for example, by placing her works on the ground, she implicitly asks the viewer to bend down to see them. Liliana Moro has exhibited in important international group exhibitions, including Documenta IX, Kassel; Aperto XLV Venice Biennale; Castello di Rivoli, Turin; Quadriennale of Rome; Moderna Museet, Stockholm; PS1, New York; De Appel, Amsterdam; La Triennale; MAXXI, Rome; Galleria Nazionale d\u2019Arte, Rome; 58th Venice Biennale, Italian Pavilion.<strong><br \/><\/strong><\/span>\t<\/div>\n<\/div>\n<p class=\"qodef-e-title-holder\">\n\t<span class=\"qodef-e-title\">Chris Rawcliffe<\/span>\n\t<span class=\"qodef-e-mark\">\n\t\t<span class=\"qodef-icon--plus\">\n\t\t\t\t<span class=\"qodef-e-icon\">\n\t\t<svg aria-hidden=\"true\" class=\"e-font-icon-svg e-fas-plus\" viewBox=\"0 0 448 512\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\"><path d=\"M416 208H272V64c0-17.67-14.33-32-32-32h-32c-17.67 0-32 14.33-32 32v144H32c-17.67 0-32 14.33-32 32v32c0 17.67 14.33 32 32 32h144v144c0 17.67 14.33 32 32 32h32c17.67 0 32-14.33 32-32V304h144c17.67 0 32-14.33 32-32v-32c0-17.67-14.33-32-32-32z\"><\/path><\/svg>\t<\/span>\n\t\t\t<\/span>\n\t\t<span class=\"qodef-icon--minus\">\n\t\t\t\t<span class=\"qodef-e-icon\">\n\t\t<svg aria-hidden=\"true\" class=\"e-font-icon-svg e-fas-minus\" viewBox=\"0 0 448 512\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\"><path d=\"M416 208H32c-17.67 0-32 14.33-32 32v32c0 17.67 14.33 32 32 32h384c17.67 0 32-14.33 32-32v-32c0-17.67-14.33-32-32-32z\"><\/path><\/svg>\t<\/span>\n\t\t\t<\/span>\n\t<\/span>\n<\/p>\n<div class=\"qodef-e-content\">\n\t<div class=\"qodef-e-content-inner\">\n\t\t<strong>Chris Rawcliffe<\/strong> was born in Paris and currently lives and works in London, where he is the artistic director of Forma, a leading artist-led non-profit contemporary art organization. At Forma, Chris and his team commission and produce ambitious exhibitions, including Abbas Zahedi\u2019s \u201cWaiting With {Sonic Support}\u201d for the 2022 Frieze Artist Award; Alberta Whittle\u2019s film \u201cLagareh \u2013 The Last Born,\u201d created for the 2022 Venice Biennale; Sung Tieu\u2019s \u201cMoving Target Shadow Detection\u201d; and Oliver Chanarin\u2019s \u201cA Perfect Sentence,\u201d which is currently touring six museums in the UK that will acquire 72 works for posterity.  Before working for Forma, Chris organized independent exhibitions at organizations such as Open Source, Arebyte Gallery, and SPACE, showcasing works by artists like Joan Jonas, Guy Ben-Ner, and Jade Monserrat. From 2010 to 2016, Chris directed Pro Numb, a non-profit art gallery he founded in Hackney, East London, where he exhibited specially commissioned works by artists such as Lawrence Weiner, Peles Empire, Benedict Drew, Liam Gillick, Heather Phillipson, Jesse Darling, Anne Hardy, and Larry Achiampong. Chris has also worked at the Outpost Gallery, Arts Council England, Art Monthly, and in the commercial sector.\t<\/div>\n<\/div>\n<\/div>\n\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t","protected":false},"excerpt":{"rendered":"<p>Selection Panel #7 Sophie Jung Sophie Jung (living in London and Basel) works across text, sculpture, and performance, navigating the politics of re\/presentation and problematizing the selective silencing that occurs with conclusions. She employs humor, shame, absurdity, raw anger, rhythm and rhyme, slapstick, difficulties, friendship, and a constant flow of shifts. Her sculptural work consists [&hellip;]<\/p>\n","protected":false},"author":4,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"elementor_header_footer","format":"standard","meta":{"footnotes":""},"categories":[133,141],"tags":[],"class_list":["post-12541","post","type-post","status-publish","format-standard","hentry","category-7-studio-program","category-7-programma-studio"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v22.7 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>SELECTION PANEL #7 | Castro Projects<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/castroprojects.it\/en\/selection-panel-7\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"SELECTION PANEL #7 | Castro Projects\" \/>\n<meta property=\"og:description\" content=\"Selection Panel #7 Sophie Jung Sophie Jung (living in London and Basel) works across text, sculpture, and performance, navigating the politics of re\/presentation and problematizing the selective silencing that occurs with conclusions. She employs humor, shame, absurdity, raw anger, rhythm and rhyme, slapstick, difficulties, friendship, and a constant flow of shifts. 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