Paola Ugolini lives and works in Rome and London.She is an Art critic and curator at In Between Foundation. She has been curating in international and italian venues such as Galleria Nazionale Arte Moderna Roma, Museo MAXXI Roma, Museo MACRO Roma, Museo delle Civiltà Roma, Museo Madre Napoli, Museo 900 Firenze, Moma e Ps1 New York, various shows and artistic projects based mostly on the work of female artists, Videoart, Body Art, Performance Art and the relationship between Art and Feminism. She is visiting professor of curatorial practices and gender studies at Roma Tre University, John Cabot University in Rome, Naba in Rome, Brera Fine Arts Academy in Milano, and Rome Fine Art Academy Accademia since May 2021 she is visiting professor at the master’s in management in communication practices and cultural politics at IUAV University in Venice. She published for Christian Marinotti Editore the volume Artists and feminism in Italy. A non-hegemonic way to look at Art History.

Saverio Verini is a curator of exhibitions, festivals and events related to contemporary art and culture. He has collaborated with institutions such as La Galleria Nazionale, Rome, the Accademia Nazionale di San Luca, Rome, the Italian Cultural Institute in Paris, the Center for Contemporary Art - Luigi Pecci in Prato, the MACRO Museum, Rome, the Rome Quadrienniale, the French Academy in Rome - Villa Medici, the American Academy in Rome, the Memmo Foundation, Rome, the Pastificio Cerere Foundation, Rome, the Ermanno Casoli Foundation, Fabriano, the Civitella Ranieri Foundation, Umbertide, the ArtVerona fair, Verona. Saverio Verini is currently director of the network of municipal museums in the town of Spoleto. He regularly collaborates with Artribune magazine and writes critical texts for solo and group exhibitions in museums, private galleries and other exhibition spaces. In 2018 he published for PostmediaBooks the monograph Roberto Fassone. Quasi tutti i racconti; he is also the author of La stagione fatata (The Enchanted Season), published by Castelvecchi in 2022, an essay on the relationship between childhood and Italian contemporary art.